LUT Manager – auto-locate, live preview, and export of LUTs and Presets. Shot Matching toolset – semi-automate primary color correction for shot matching.Film Emulation Tools – add customizable digital grain.Area Tracker – track masks on moving picture elements.Masking – shape based and free form keying for selective color grading.The new Color Finale 2 toolset has been specifically designed to simply the workflow between editing and colour grading, says ColorTrix, “removing the need for Editors to move themselves and their content to an external dedicated colour grading system.”Ĭhris Hocking, Cinematographer at LateNite Films says “Wow, Amazing ! You’ve done some incredible work there – very impressed ! I wish we had this a few months ago when we graded a TV series in FCPX ! One of our biggest FCPX frustrations is the lack of mask tracking for colour grading, so this will be a massive help”. Many of the new Color Finale 2 tools are normally only found on high-end stand-alone colour grading systems. Presented as “the fastest most powerful way to color grade in Final Cut Pro X”, the new Color Finale 2 and its Pro version are major macOS-only upgrades to the popular Color Finale FCPX plug-in, adding a host of new color grading and image processing tools above the standard color grading tools that ship with FCPX. ColorTrix released Color Finale 2 and Color Finale 2 Pro for Final Cut Pro X, inviting users to experience grading in a whole new way… on their Final Cut Pro X timeline.
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